This is apparently out next weeeek
Anonymous said: You're an idiot if you don't invite Norman Reedus, do you not realize what a huge draw the man is?
We know how popular he is, we get it. But really? Name-calling?
How about this: volunteer to be a minion, help us run the show, see what it’s like to organize this whole event, work with the people who have been growing it, expanding it, improving it for the past thirteen years, and then tell us how you think we should do it. Talk to us after the show and present your argument for why that specific guest is more worthwhile than all the other ones we bring to the show.
We welcome suggestions, criticism, advice, etc., but please don’t attack the people who run our event, they don’t deserve it.
Hey. So I collaborated on this infographic with Kate Willaert.
Hope you like it.
The uncut full-length list can be found here:
nobody ever puts IDW TMNT on lists like these! :( or Dreamwave TMNT, anybody remember that one?
A comiXologist Recommends:
Michael Crowe recommends Hip Hop Family Tree Vol. 2
Writer/Artist Ed Piskor (edpiskor) continues his epic journey through musical history with Hip Hop Family Tree Volume 2. Combining his passion for the musical genre with his mastery for creating comics, Piskor takes us on an encyclopedic journey through the growth of a uniquely American art form.
The 1980s were a time of expansion for the genre, across the country and the globe. This volume guides us through the continued rise of early hip hop originators alongside the birth of new acts inspired by these legends. It examines the intermingling between the uptown hip hop scene and thee downtown punk rock scene. It also documents the cultural exchange between New York arts culture and Hip Hop street culture. Piskor does a wonderful job of reminding the reader that this culture is more than the music. Hip Hop is an interdisciplinary art form that combines dance, visual art, musical production and lyrical genius to create an infectious form of modern art that’s craved en masse from Compton to Paris.
Ed Piskor’s art is stunning and his attention to detail is phenomenal. The pages appear to be printed on old textured paper. Each page pops despite the desaturated nature of the colors and the halftones used add even more texture to the pages. The result is a comic that feels straight out of the 80s. This attention to the aesthetic of a time is especially noticeable when flashing forward to the present. He illustrates these panels in a modern, highly saturated style common today. Piskor’s characterizations of classic players in the game are also unforgettable, and will evoke an immediate recognition from even a casual follower of hip hop culture.
For those interested in learning even more Piskor includes a bibliography and a discography to accompany the history he thoughtfully unravels for us. After you’ve finished reading and grooving be sure to pick up Hip Hop Family Tree Volume 1 to learn about the birth of Hip Hop and Wizzywig, Ed Piskor’s debut graphic novel about hacker culture.
Michael Crowe works on the digital assets/launch team by day and writes comics and prose by night. He’s an avid consumer of comics and all things sci-fi.
A comiXologist Recommends:
Jen Keith recommends Little Nemo: Return to Slumberland #1
Walking long-legged beds and menageries of strange creatures, a face in the moon and candy-made kids! Nemo is back and walking the dreamscape, however reluctantly, in Little Nemo: Return to Slumberland #1.
First published in the New York Herald in 1905, Winsor McCay’s celebrated strip Little Nemo in Slumberland is a classic. It’s been adapted into various media including an animated film in 1989 that, I admit, terrified me as a child. The story follows young Nemo’s fantastic adventures when called into Slumberland by King Morpheus. Here too is where we meet Nemo afresh as he’s commanded to become the playmate of Slumberland’s princess. However, it’s not easy to get to the land of dreams when all of your progress is lost upon falling out of bed.
Locke & Key's artist Gabriel Rodriguez’s (gr-comics) detailed architecture and stylization remains faithful to McCay’s art nouveau influences with decorative flourishes and nods to the original jaunty layouts. Meanwhile, writer Eric Shanower is a wonderful fit what with his work on Marvel’s Oz books; he’s no stranger to giving a great voice to kids finding themselves in bizarre new lands. This team works well together in bringing their own touch while keeping that quintessential Nemo look and feel. The story is a whimsical ride with surprises around every corner and as unpredictable as our own dreamtime escapades. Its unfettered pacing flows surreally as it never would in waking hours.
While sure to be a hit for all ages and a great jumping off point for new and old fans alike, if you need more journeys into imagination then try Marvel’s Figment.
Don’t wait for bedtime to explore dreamland when you join Nemo on his nightly romps through Slumberland. Happy reading and pleasant dreams!
Jen Keith is a Digital Editor at comiXology, comic artist, music addict, and could really use a nap herself right about now.